The Plague by Albert Camus

One of the great novels of the twentieth century. Also one of the most powerful expressions of existentialism and humanism ever written. I reviewed this book for the Narrative Medicine Series in 2002. See also the article A Hero for Our Times published in The Guardian.

The Plague is an allegorical novel set in the modern city of Oran on the north African coast. The principal character Dr. Rieux confronts a series of medical, ethical and moral dilemmas as an epidemic of bubonic plague breaks out and the city is quarantined. Rieux must overcome his fear, loneliness and despair in order to function while conceding that he is mostly powerless in the face of his microscopic enemy. As the crisis abates he concludes that he only did what had to be done and will be done again “by all who, while unable to be saints but refusing to bow down to pestilences, strive their utmost to be healers.”

Camus Quotations…

2016 Update: I was taught in medical school that the “Ring Around the Rosie…” nursery rhyme referred to The Plague. Nice story but it appears to be apocryphal!

Let the Right One In by Tomas Alfredson

Let the Right One In

Låt den rätte komma in

Tomas Alfredson

2008

I’m not a big fan of vampire movies, but this one succeeds on several levels. The gore/supernatural bits help drive the plot, but are not the central focus. The story unfolds at a natural pace and the key dialog is almost languid. The setup is disarmingly simple: local boy with a schoolyard bully problem and the strange girl who moves in next door. The child actors are nearly perfect. The adults are mostly caricatures, which is not surprising for a story told from a child’s point of view.

Fraser & Debolt

Here’s a blast from my past! During college my friends and I discovered an obscure Canadian folk album called Fraser & DeBolt. It was quickly apparent that this music was like nothing we had ever heard before. It was stylisticly original, spontaneous, dissonent, and emotionally appealing on many levels. Released in 1971, it became one of the most important albums no one has ever heard of. These reviews and liner notes are worth a read. [I hadn’t made the connection until now, but it also anticipated another favorite of mine, The Trinity Session by the Cowboy Junkies (also Canadian BTW).]

Update: Unfortunately the mp3 files posted on the F&D site back in 2007 are gone. I found their cover of the Beatles’ Don’t Let Me Down, which gives you some of the flavor. [Song begins at 1:20 into the clip after a long intro.] There is also a reissue on CD (but read the comments for some concerns). Listen to these thirty second clips to get a good overview of the album. Daisy DeBolt continues to perform and record new music. “Eclectic” only begins to describe it! I prefer the earlier titles I Can and Soulstalking.